How To: Read Guitar Tablature

One of the first things an aspiring guitarist needs to learn is how to read tablature.

Jerramiah Ferrari and Cactus Knife @ The Imperial

A review of both bands at thier show on 8/3/12.

Squire Vintage Modified Jazz Bass

First Gear Review... A quick look at the Vintage Modified Jazz Bass by Squire.

So You Want To Learn Guitar?

Just a few things to think about for the absolute begginer about the pick up their first guitar and start lessons.

EP Review: Falter - Falter

I checked out one of my favourite local bands Falter, Read my review here

Showing posts with label Guitar. Show all posts
Showing posts with label Guitar. Show all posts

Friday, 16 March 2012

How To: Read Guitar Tablature


Since so many guitarists are self-taught or have had a few lessons from a friend it is common that they have not had much need or want to learn to sight read music. Tablature (tab) is a method of explaining a piece of music in a more visual way and can be much easier to understand for the guitarist as the information is laid out in a way that directly reflects the strings and frets of the guitar.

The strings are on lines that are usually labelled and fret positions are shown by numbers on the lines. Most often the low E string (thickest) is the bottom line and the high e (thinnest) is the top line for a piece in standard tuning. The vertical lines usually show a point where the piece of music will repeat from but can also show bars of music depending on the writer of the tab.


Standard tuning tab.

e---------------|-----------------
B---------------|-----------------
G---------------|-----------------
D---------------|-----------------
A---------------|-----------------
E---------------|-----------------

The numbers on the lines show you which fret to play on the guitar. below is the C major scale this would be played by putting your finger just behind fret number 3 on the A string (2nd thickest) then the 5th fret on the same string. We then move to the next string, D, and play the second, third and fifth frets and on the G string second fourth and fifth frets.
The notes in this scale are C, D, E, F, G, A, B and C …Hey I bet you didn’t expect to learn that in a tab lesson.


The C major scale

e------------------|
B------------------|
G------------2-4-5-|
D------2-3-5-------|
A--3-5-------------|
E------------------|


Chords

Chords are written with all the notes stacked on top of each other below is the chord progression G, C the D. Note that on the C and D chords there are strings that are not labelled with a note, Simply do not strum those strings. 

e--3--0--3--|
B--0--1--2--|
G--0--0--3--|
D--0--2--0--|
A--2--3-----|
E--3--------|


The major drawback to using tabs rather than standard sheet music is that there is no set way to show how long to hold the notes (however some people try to show it with larger gaps between notes that are held for longer). It is important that you listen closely to the music to hear where the notes change then play along with it until you have it in your memory.


Now for some of the symbols you will find in tabs:

Bends are common in solos, start by fretting the note as normal then bend it until it sounds the same as the next semi tone or next note. This is another time you’re going to have to listen to the music to figure out what to do!

 
e-----------------------------
B--------------7b-----7b------
G—9b----9b--------------------
D-----------------------------
A-----------------------------

E-----------------------------


Sometimes it is written like this when you need to bend the note and move to the next note quickly.

e-----------------------------
B-------------7b5---7b5-------
G—9b7---9b7-------------------
D-----------------------------
A-----------------------------
E-----------------------------


Also common is the slide represented by / just fret the note then slide your finger to the note on the other side of the symbol.

e-----------------------------
B-------------7/5---7/9-------
G—9/7---9/11------------------
D-----------------------------
A-----------------------------
E-----------------------------


Vibrato is like a wobble sound made by bending the string a small amount up and down quickly and can be shown by either v or ~.

e-----------------------------
B-------------7~--------------
G—9v--------------------------
D-----------------------------
A-----------------------------
E-----------------------------


Hammer on is a technique found across the board in guitar music and you fret the first note, pick it then “hammer on” the next note with another finger. In the example below play all the notes on the 9th fret with your index finger and after you pick it hit your ring finger down on the 11th fret to make the note ring out without picking again.

 
 e---------------------7h9-------- 
B-----------------7h9------------
G—------------7h9----------------
D---------7h9--------------------
A-----7h9------------------------
E—7h9----------------------------



Just as common is the pull off which is the exact opposite try fretting both notes at the same time pluck the string then “pull off” your ring finger to leave your index finger playing a note without plucking again.

e—9p7----------------------------
B-----9p7------------------------
G—--------9p7--------------------
D-------------9p7----------------
A-----------------9p7------------
E—--------------------9p7--------

With a little practice you should be playing your favourite songs in no time at all. 

If there is anything I have missed or anything you would like to know more about please feel free to drop a comment in the box below!

Thursday, 8 March 2012

So You Want To Learn Guitar?



So yeah I guess if you’ve made it this far you probably can already play the guitar but just maybe you’re thinking of learning, if so this article is for YOU! First off I’m not going to recommend any specific online courses because there are too many out there and I haven’t checked out nearly enough of them. What I will tell you is the things you probably should figure out before you start any lessons.

These are a bunch of techniques that you must learn before you can play anything on guitar but don’t worry they’re super basic.


Are you going to play with your fingers or with a pick?


Finger style playing is most commonly used for classical and flamenco guitar where picking more than one string at a time is important. Playing with a pick or plectrum is more common and seen in nearly every other form of guitar music, its louder and in many respects much easier. In the long run it is your decision about what makes you feel the most comfortable.
Fingerpicking relies on you using your thumb and one or more fingers to pick the notes some people use their fingernails whilst others use finger picks and many just use the tips of their fingers. It is possible to use all five fingers but the majority of people use their little finger to anchor their hand to help them find the strings. An Issue with anchoring is that whilst it may make playing easier it will deaden the sound of an acoustic guitar.

The style generally involves picking the notes of a chord individually to produce a melody and can be used on both electric and acoustic guitars


Now onto using a plectrum…

The plectrum is held as shown in the picture although it is possible to hold it in other ways and you should work with it however you feel most comfortable, Strum from the wrist as much as possible moving your arm at the elbow will get tiring very quickly.

As you learn you first chords it will be difficult to control your fingers as you change the positions but after a while the muscles will develop and you will become much more dexterous so DON’T GIVE UP!!

Guitar Effect Pedals



If you’re reading this you’re probably thinking about buying some guitar effects. You probably already know what kind of sound you are trying to make and are trying to figure out which of the MASSIVE range of pedals that are out there will suit your needs. There is a pedal or rack mount to give every tone and every sound you can imagine and I challenge you to find a professional musician that doesn’t use at least one effect either live or in the studio. The fact is that pretty much any time you hear an electric guitar you’re probably hearing it being played through an effect of some sort.


Many guitarists have become very well known for the use of effects in adding a new characteristic to their playing. As I write this I particularly have Tom Morello in mind from Rage Against The Machine a guitarist who has gone beyond the stage of using pedals and even uses the guitar controls themselves to give an “effect”, I am of course talking about that killswich made stuttering he is renowned for. Many other guitarists have become forever linked to the pedals that have given their sound such as Stevie Ray Vaughan and the Ibanez Tube Screamer and Hendrix and his Fuzz Face pedal. 


The Huge variety of effect pedals is made even more daunting by the plethora of manufacturers but some of my personal preferences are Boss, MXR and DigiTech.
Here is a quick rundown of various effects on the market and what they do.


Distortion


There are several types of distortion but generally come from the clipping of the guitar signal by an increase in gain within the pedal several also use harmonic multiplication. You can find distortion effects built into many amplifiers and can even get an overdrive distortion sound just by turning your input gain right up on many amps…so no pedal required :D

Overdrive is the most common distortion and all it does is boost the signal of your guitar to the point where it is outside of the range that the amplifier or speaker can reproduce. They are available in Tube, Tube emulation and digital varieties.

Crunch pedals such as the Tube Screamer mentioned before are similar the use of a vacuum tube causes compression of the sound and at high level gives a very gritty sound, but just before the point of total distortion they make a very thick tone …think Santana.

Fuzz in my opinion sounds like you have trashed your speaker. In fact this is what a lot of the guitarists back in the 60’s used to do this on purpose to get a fuzzy tone. The pedals are just an emulation of this.


EQ pedals

Does what it says on the tin. If your amp isn’t giving you enough control over which frequencies to cut and boost or you want to boost a certain frequency range so you can be heard over the bass player you want to get y
ourself one of these.


Wah pedals

They have a big footplate that rocks back and forth, a frequency is chosen by how far back or forward the plate is and that is boosted by the pedal. Rocking it back and forth gives a sweeping sound. Very commonly used in the 60’s and 70’s for psychedelic rock bands and also funk. Also available in an auto version which sweeps through the frequencies for you.


Volume pedals

They look like a wah pedal but turn your volume up and down…not complicated at all.



Tremolo

Turns your volume up and down at a certain rate causing a fluttering sound, the more tremolo you put on the more cut in the sound and there is usually a speed control for how quickly you want it to change volumes. I like these.

Compressor

Compressors are useful for when you want to smooth out the volume of your guitar playing. They are very common with bass players. Be warned though compression is very rarely needed when you are using a distorted sound therefor If you plan on playing in a metal band your probably not gonna need one.


Delay pedals

A copy of the signal is made and it is repeated a set number of times. The modern digital delays are much cleaner sounding and are my personal preference. They are widely used a good example of the delay pedal is nearly any track by U2.


Loop pedals

Similar to a delay but allows you to play a couple of bars of music and the repeats them for you to play over the top. Very popular with several YouTube artists at the moment.


Reverb

Reverb pedals are very common, they emulate the sound of playing in a room giving the guitar tone a more real presence. This is used a great deal in studio when trying to make sounds more natural.


Flanger

Back in the days of tape reels and men in white coats in recording studios this effect was created by slowing down the tape by pressing something into the edge (or flange) of the tape real to slow it down then allowing it to speed back up. The sound of a flanger is hard to describe, try having a look around YouTube for some samples if you haven’t heard one before. Randy Roads and Van Halen both use a MXR flanger.


Chorus

This splits the guitar signal then slightly modifies one to give the sound of two or more guitars playing at the same time.


Octavers and pitch shifters

These pedals mix the guitar signal with a synthesized copy. The synthesized copy is at a different pitch to the original sound. This can be done to create a harmony type sound where the pitch is added to say a fifth of it or in the case of an octaver it mixes the sound with either an octave higher or lower. Basically they do what it says on the label.


These are just a few of the pedals out there and this is by no means an extensive list. I hope you enjoyed the read and have fun choosing your new pedals.

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